Tom Denize
Gardening in Sodom
Tom Denize’s practice spans installation, video, and photography, creating affective spaces that oscillate between materiality and transcendence. Rooted in queer theology and temporality, their work examines how belief, desire, and embodiment intersect within and beyond systems of visibility. Through gestures of devotion, cruising, and dance, Denize explores how the sacred might surface in new forms—how intimacy and faith can coexist as acts of resistance and renewal. Their practice is guided by the tension between revelation and concealment, where images become thresholds rather than representations, invoking felt rather than seen experiences. Drawing on affect theory and auto-theoretical methods, Denize’s work materialises states of becoming that resist closure, offering queer time as a site of potentiality, communion, and transformation—a mode of inhabiting the world attuned to what flickers at the edge of knowing.

I Feel As Far As I Can See, degraded corrugated steel, single channel video, 2025

I Feel As Far As I Can See, single channel video still, 2025

Tipping an Oyster, 1.5 x 1.0m inkjet print, wrought iron lace, oyster shell, 2023

Desire Path (side B), 2 x archival Hahnemühle prints, tasmanian oak, 2025

Cavity (ii), 1.8 x 1.5m inkjet print, 2023
Faculty of Fine Arts and Music
University of Melbourne