Sarah Gilsenan
Everyday items are used in material-led experiments to explore the structures of storage, preservation, display, and abandoned space. Visibility, bureaucratic opacity, and the flattening of the archive are themes I explore in my work using processes such as ghostly embossed prints, assemblage, creating fragmented office furniture, and referencing architectural forms. By subverting objects of utility and inventing new records from detritus, I question notions of usefulness and seek to reframe the meaning of familiar materials.
I am interested in the mundane accumulations of life and the spaces that hold them. I carefully gather plastic packaging, receipts, fragments of building materials and personal items as souvenirs and relics, or to examine as ruins. I explore the tension between preservation and destruction, and what we choose to keep, discard, or display.

Sarah Gilsenan, spaces research, Athens, 35mm film, 2025

Sarah Gilsenan, Ghost Stone (record), cotton paper embossing, 2025

Sarah Gilsenan, New Bureaucratic Works V 2.0 (Reclining Fax, Workin' 9 to 9, Ciggie Burns and High Returns), paper, aluminium, found carpet, perspex, metal, fabric and plastic chair, 2025

Sarah Gilsenan, spaces research, Animal House, Melbourne 2025

Sarah Gilsenan, Aggregate Pendulums, concrete Besser Blocks, nylon rope, 2024

Sarah Gilsenan, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Lucy Foster.
Faculty of Fine Arts and Music
University of Melbourne