Rosie Carr

'FrangiFanny' is a series of photopolymer prints that combines botanical photography with bodily imagery using digital collage.
The interaction of these concepts blooms a conversation of gender binary norms, sexualisation, and the symbiotic relationship between the natural and artificial. My prints flourish by using creative install techniques, opposing conventional methods of display that confine prints to a frame or neutral materials. Each print leans against the wall on supports made of preserved plant matter, protruding from the wall with a dewy drop wetting the tip.
The two-dimensional and three-dimensional divisions that separate printmaking and sculpture are rejected, allowing the prints to be encountered as an image and object.