Leila Edelstein
I return to the same sites and people compulsively. Over and over, the work revisits and recalls, driven by a curiosity with the mechanisms of memory, connection and genetics. This repetition is not an attempt to preserve, rather to agitate and reveal the ways memory slips, fractures, and re-forms. In a material sense my work is fragile and impermanent. Cutting, doubling, piecing, glueing, taping and weaving the image, there is significance in the impossibility of my endeavours – in their unsayability and laborious physicality. Personal, collective and inherited trauma settles in the body and the image.

Humps (Weaving), Inkjet prints and tape, 2025

Recall, Inkjet & silver gelatin prints, 2024

Humps, Collaged inkjet prints, masking tape, 2025

Hugo and Kate, Framed silver gelatin print, 2024

Humps, Collaged inkjet prints, 2025

Leila Edelstein, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Lucy Foster.
Faculty of Fine Arts and Music
University of Melbourne