This website may contain sensitive or triggering content
VCA Art 2025

Kate Jones

LOVE AS A HOLD VIOLENTLY BETWEEN NATURE AND CULTURE EMPATHY HERALDED AS VIRTUE BUT SOFT EASE OF ARCHETYPE OF STRENGTH FOCUS PROXIMITY FRAMING DAMP PADDOCK DUSK MAKING GESTURES THE IMPOSSIBILITY OF ANSWERS UNBRIDLED IMAGES OF HUMAN ANIMAL IS BECOMING FEEL WALL IS CORNER IS ARCHITECTURAL SOUND GIVES SOFT SURRENDER JUST ENOUGH WILD WEATHER INTERIOR CANDLES TOO EROTIC CHARGE AN ANIMAL INSIDE ROPING OF AND RHYTHM AND TEMPORALITY UNTETHERED POWER FUNDAMENTAL SENSUALITY OF HERD 4 PEOPLE INTRUSION POLYAMORY HORSES DENSITY OF ACTION LANDSCAPES IN SUMMARY AUTHORITARIAN KINKS ALTERNATIVE ENTRIES NOT A HERO'S JOURNEY ALWAYS A RISK OF SOMETHING GOING WRONG ALREADY NOW GIFT TO THE SPACE MOST CONTRIVED LEAST COHESIVE FAR AWAY STANDS ALONE AND DIFFERENT EXHIBITIONIST AS ARTIST RESIDUE QUESTIONING BOTH INABILITY TO HAVE USED SPACE WELL OF COLOUR FADE INTO BECOMES FORM FUTURE RELICS
EVERYTHING IN THE PROCESS OF SHIFTING.

Kate Jones, Love Me Like a Dog, video still

Kate Jones, The Ropes, video still

Master of Fine Art
Victorian College of the Arts
Faculty of Fine Arts and Music
University of Melbourne
PRV12150 / CRICOS: 00116K