Isabel Willis
I make to remember.
I make to connect.
I make to honour hands I’ll never know, practicing knowledge in every stitch, every loop, every thread.
Each act of making is part of a longer conversation, one that spans generations. A quiet, invisible history held in muscle memory; a knowledge passed down from one pair of hands to another. Oral traditions made tactile. Repeated. Repeated. Again.
I return to old processes.
I return to slowness.
To careful hands. To thoughtful rhythms. To the comfort of repetition.
A motion repeated. Over and over. Again. Grounding. Repairing. Healing. Not everything handmade can be replicated by machines. Something is always lost: technique, care, the trace of the maker. The trace of us.
I mend to care.
I make to remember.
I stitch to stay present.
To connect.
To honour.
To hold.

Isabel Willis, Moving Lace, performance alongside lace pillow, bobbins and thread, 2025, Image courtesy of Amelia Quantock

Isabel Willis, A Study of Lace and Light, cotton thread, torch and bobbins, 2025, N/A

Isabel Willis, Held (detail), glass and wool yarn, 2024, N/A

Isabel Willis, Dress form, fabric and thread, 2023, N/A

Isabel Willis, sketches, N/A, 2024-2025, N/A

Isabel Willis, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Lucy Foster.
Faculty of Fine Arts and Music
University of Melbourne