Finn Keighley
I collect old devices with no real use anymore. I’m also interested in digital technology, loving and hating it for all it gives us. My practice focuses on post-capitalism, post humanist views of technology, the history of the internet, technological acceleration, home computing, and e-waste. Working primarily in printmaking, sound, and publishing I have developed a visual archive drawn from the history (and present) of surveillance camera footage, Linux, computer components, radio spectrograms, and broken devices to create screen prints, healthily seasoned with noise.

Finn Keighley, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Lucy Foster.

(Finn Keighley, In Noise I-IV, Screen Prints, Silver on Steel, 2025)

(Finn Keighley, Four Streams, Screen Print, Ink on Aluminium, 2025)

(Finn Keighley, Earth 2 Life 3, Screen Print, Ink on Board, 2023)
Faculty of Fine Arts and Music
University of Melbourne