Erin Wigney
My installation explores and embodies a liminal space, a blurring of reality and psychosis, that seeks to amplify the space between memory and revisionist acts of remembering. A place where recollection is never static but is reshaped, reinterpreted, and even manipulated. The invisible weight of trauma and its lingering presence fracture time, identity, and narrative, which are at the heart of this work. A fragmentation of sorts that plays a counterpoint to the silencing and erasure it imposes. These are then metaphorically rendered through reenactment, performance and ritual with embodied gestures serving as a method for confronting the complexities of memory.

Erin Wigney, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Astrid Mulder.
Faculty of Fine Arts and Music
University of Melbourne