Emily Yeonsoo Jung
Cyclical systems metabolise material and immaterial residue through processes of release and transformation. Drawing from architectures of ritual and the structures of memory, I construct systems that concede to the weight of absence while resisting fixation: holding and transforming residue.
Employing rice water, glass, pewter, steel, and other mutable substances, I create breathing structures that filter and disperse materials across thresholds. In doing so, I seek to materialise in-between spaces: bridging the material and immaterial, absence and presence, and enabling cyclical structures that flow and adapt like water, circulating and releasing.

Emily Yeonsoo Jung, The floor that gathers the living touches the earth that receives the dead, charcoal, rice water agar, mortar, pewter, 2025.

Emily Yeonsoo Jung, The floor that gathers the living touches the earth that receives the dead, charcoal, rice water agar, pewter, 2025.

Emily Yeonsoo Jung, The floor that gathers the living touches the earth that receives the dead, charcoal, rice water agar, pewter, 2025.

Emily Yeonsoo Jung, untitled, mortar, pewter, 2025.

Emily Yeonsoo Jung, untitled, pewter, steel, 2025.

Emily Yeonsoo Jung, untitled, glass, pewter, steel, 2025.

Emily Yeonsoo Jung, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Lucy Foster.
Faculty of Fine Arts and Music
University of Melbourne