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VCA Art 2025

Alanna Baxter

Crowds have never made me feel good but being in an audience always does. There is a theatricality to spectatorship.

It is not in the hope of one day being recognised as real but because the violence of the real is not worth the price of admission.1

I can recognise the oncoming footsteps of a person I like. In this way I am little better than a dog.2

Something has changed within me. Something is not the same.3
Something so intimate about repetition.
In this way I am little better than a dog.

The events are coming! The events are going to happen.

I think the amphitheatre has always been a site for propaganda.

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1. Jack Halberstam, Trans*, 2018.
2. Eileen Myles, The Irony of The Leash, 1978.
3. Wicked, The Musical.

Alanna Baxter, Installation view, 2025. Photographer: Aaron Davis.

Alanna Baxter, Performance Documentation, 2025. Performed by Angelina Innocent.

Alanna Baxter, Casting Process Image, 2025.

Alanna Baxter, The Hole (Installation View), graphite on plywood, 2025. Photographer: Aaron Davis.

Alanna Baxter, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Lucy Foster.

Honours
Victorian College of the Arts
Faculty of Fine Arts and Music
University of Melbourne
PRV12150 / CRICOS: 00116K