Alanna Baxter
Crowds have never made me feel good but being in an audience always does. There is a theatricality to spectatorship.
It is not in the hope of one day being recognised as real but because the violence of the real is not worth the price of admission.1
I can recognise the oncoming footsteps of a person I like. In this way I am little better than a dog.2
Something has changed within me. Something is not the same.3
Something so intimate about repetition.
In this way I am little better than a dog.
The events are coming! The events are going to happen.
I think the amphitheatre has always been a site for propaganda.
____________________________________________________________________________________________________________
1. Jack Halberstam, Trans*, 2018.
2. Eileen Myles, The Irony of The Leash, 1978.
3. Wicked, The Musical.

Alanna Baxter, Installation view, 2025. Photographer: Aaron Davis.

Alanna Baxter, Performance Documentation, 2025. Performed by Angelina Innocent.

Alanna Baxter, Casting Process Image, 2025.

Alanna Baxter, The Hole (Installation View), graphite on plywood, 2025. Photographer: Aaron Davis.

Alanna Baxter, Installation view, 2025. Image courtesy of the University of Melbourne. Photography by Lucy Foster.
Faculty of Fine Arts and Music
University of Melbourne